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La compagnie cinématographique Lianhua et le cinéma progressiste chinois, - Persée

Our panelists will reflect on the history of Black-Asian solidarity and what we can learn from the past in order to live in a liberated future. The panel will also offer thoughts on how we can move forward following the much-anticipated November 3rd presidential election results.

Gather up the little ones and find a cozy spot to join along! This book is suited for years old, though we welcome children of all ages with parental supervision. We invite you to visit the pavilion and take photos with our tree.

La compagnie cinématographique Lianhua et le cinéma progressiste chinois, 1931-1937

Make sure to tag us in the photo! Our tree is also up for auction and will be delivered to the highest bidder in time for your holiday celebration. This virtual story-time will be hosted on Zoom and is suitable for years old with parental supervision. This event is filled with special performances and can be watched online at www.

Tune in this Sunday, November 1st at p. The e … vent will premiere online at www.

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Artwork by: Pipiripau. Date: Sunday, November 1, Time: p. PST To watch online: www.

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PDT to Oct. They will be having a dialogue focusing on the relocation of Los Angeles Chinatown. Please join Los Angeles Public Library map historian Glen Creason, urban planner and historian Eugene Wong Moy, and artist Debra Scacco for a dialogue focusing … on the relocation of Chinatown following the building of Union Station and the Stack interchange x freeways. As told through maps from the library's collection, the conversation will consider this complex history and impacts of the relocation on contemporary life.

This event is presented in conjunction with Compass Rose, a creative collaboration connecting contemporary oral histories with historic cartography.

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On October 24th, p. One of the most heinous acts of racially motivated violence Los Angeles has ever experienced took place in the streets near our present-day museum. We invite you to stand with us virtually in commemorating the lives lost years ago. In addition to the performance of an excerpt from Lloyd Suh's play, "The Chinese Lady", by Artists at Play , the following individuals will be participating in the solemn observance:. Growing anti-Chinese sentiment in the region led to the brutal killing of 18 victims, known as the Los Angeles Chinese Massacre of One of the most heinous acts of racially motivated violence Los Angeles has ever experienced took place in the streets of Downtown Los Angeles.

For more information, please see the flyer. Thank you for joining us on our 24th Annual Historymakers Awards Gala - online!

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A huge thank you to everyone who donated and contributed to this year's silent auction. This event is free and open to the public.

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You can access it from the Historymakers website. To access the website, visit historymakers. In the meantime, you can preview the website to learn more about our honorees. Take a sneak peek at our Silent Auction page! Growing anti-Chinese sentiment in the region led to the brutal killing of eighteen victims in The event explores the play and its connection to the history of Chinese in America, and what role the arts play in the interpretation and remembering of that history. The conversation will be recorded as part of the AAP Podcast inaugural season.

Join us this year on Tuesday, October 20th, 7pm PDT as we honor individuals and organizations who have amplified the fight against the COVID pandemic and who have led the way in combating systemic racism in our nation. Lew Visionary Award. Dan S. Louie Jr. But can the poet find the magic elixir? And can it truly heal the land? Once again, historical processes and sexual relations become analogous, and they do not require the insertion of biographical referents to make sense. These lines thus express anxieties; they signify the uncertainty, not only of gaining a beautiful wife or of being healed, but of an eventual victory against the invaders not to mention of his own ability, as a poet, to contribute to such an eventuality.

In most annotations of the poem, the figure of Yunying is identified as Li Xiaoyin e. The poem, however, is more obviously about the state of Chinese society and culture in the face of Japanese victories across Asia. In this poem, Yu Dafu sees himself as the poet warrior. He asks himself whether despair—national and personal—can be quenched by traditional Chinese values, whose purity is represented by Yunying and her association with the jade elixir.

In other words, the poem concerns the role of the poet in history as well as the essential nature of women yin. Typical of the cycle of poems as a whole, this poem is at once deeply rooted in Chinese literature and also speaks about current events, gender roles, modernity, and war, constructing a sense of cultural continuity in a time of chaos and doubt. It has long been a symbol of romance in classical Chinese literature. Yu Dafu uses the stories of Stone Trench Village and the Palace of Longevity to illustrate how both the rich and poor are affected by the separation caused by war.

These allusions, moreover, relate to the sorrows of displaced soldiers. We should remark, however, that the thrust of the allusion consists of observing that the pain of enforced parting is universal to all regardless of rank or status. So any particular parting between any particular man and woman would merely be an example of a general condition.

The poet is perhaps expressing with sadness that desolation was everywhere in the world at the time. He wonders whether becoming an immortal through drinking the magic potion will save him from the flames of war. Is there a beautiful woman who can deliver me from this suffering? Thus, this poem can be interpreted as a wish, issued against the war and chaos of the day, to be spared from suffering and despair and to be loved. Yu Dafu also suggests that the scholar or poet has a role in history akin to that of a warrior. The focus of the first poem is on chaos and the grand theme of the military loss of Singapore.

Yu is especially interested in the effects of war on people. Accordingly, we have, in the final line of the poem, an appeal to the overarching theme of separation. At the time he wrote this poem, the second in the cycle, Yu Dafu was living on the island of Sumatra. The poems do not establish a unity of place through a strict allegorical structure. Rather, we are dealing with analogies that are polysemous, momentary, and discontinuous. In line 3 of the poem, the images of wild geese and fish stand for the postal service.

The poet invites us to interpret these images as we would dreams. The uncertainty caused by the lack of news from the South and roads and nearby territories occupied by the Japanese forced Yu Dafu to move line 4 of poem 2. In this line, the focus of the poem is the poet and his feelings of dislocation.

In line 5 of poem 2, the reference to Zuti — recalls the departing armies in the story of the Stone Trench Village referred to in line 7 of poem 1. However, it adds the promise of a triumphant return.

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  • Zuti was an open-minded, generous, educated, and successful general, well known for the strict discipline he imposed on himself and his soldiers. Furthermore, Zuti forged a strong, unified force out of the potentially unruly army under his command through the power of his words. This army might thus be likened to the state of confusion the poet expresses in lines 3 and 4 of this poem as well as the condition of war-torn Singapore. Part of his confusion, moreover, is because the news has stopped as mentioned in line 1 of poem 2.

    Yu Dafu expresses a wish on behalf of China and the Chinese people who, like the army of Zuti, need to unite and act as one if they are to recover their homeland.